Very sweet review of my “real” last album. In case you missed the late night post last night, here is a link to my “fake” last album: http://deathbombarc.com/DBA114
melodicexpectation:

Back To The Future The Ride - Gay Wish
This is the last “major” release from Back To The Future The Ride, besides a b-sides compilation—Brian Miller, the guy behind BTTFTR, is starting a new project called True Neutral, so all is not lost—and he’s got the audacity to release something so short and so spectacular. It’s less than twenty minutes long and, for my money, the best bit of warm ambient noise released this year. Back again is the massive guitar noise, with some new added elements like vocals (both sampled snippets and auto-tuned dada-poems). It also includes a scarce cover of classic surf song Blue Hawaii. The elements of the original song are, at best, barely there and, at worst, entirely nonexistent. But the escapism is palpable—think Terry Gilliam’s Brazil—beneath the dust and mechanical grays, color and light are shining through. 
<a href=”http://deathbombarc.bandcamp.com/album/gay-wish” _mce_href=”http://deathbombarc.bandcamp.com/album/gay-wish”>Gay Wish by Back To The Future The Ride</a>

Very sweet review of my “real” last album. In case you missed the late night post last night, here is a link to my “fake” last album: http://deathbombarc.com/DBA114

melodicexpectation:

Back To The Future The Ride - Gay Wish

This is the last “major” release from Back To The Future The Ride, besides a b-sides compilation—Brian Miller, the guy behind BTTFTR, is starting a new project called True Neutral, so all is not lost—and he’s got the audacity to release something so short and so spectacular. It’s less than twenty minutes long and, for my money, the best bit of warm ambient noise released this year. Back again is the massive guitar noise, with some new added elements like vocals (both sampled snippets and auto-tuned dada-poems). It also includes a scarce cover of classic surf song Blue Hawaii. The elements of the original song are, at best, barely there and, at worst, entirely nonexistent. But the escapism is palpable—think Terry Gilliam’s Brazil—beneath the dust and mechanical grays, color and light are shining through. 

Very sweet review of my “real” last album. In case you missed the late night post last night, here is a link to my “fake” last album: http://deathbombarc.com/DBA114
melodicexpectation:

Back To The Future The Ride - Gay Wish
This is the last “major” release from Back To The Future The Ride, besides a b-sides compilation—Brian Miller, the guy behind BTTFTR, is starting a new project called True Neutral, so all is not lost—and he’s got the audacity to release something so short and so spectacular. It’s less than twenty minutes long and, for my money, the best bit of warm ambient noise released this year. Back again is the massive guitar noise, with some new added elements like vocals (both sampled snippets and auto-tuned dada-poems). It also includes a scarce cover of classic surf song Blue Hawaii. The elements of the original song are, at best, barely there and, at worst, entirely nonexistent. But the escapism is palpable—think Terry Gilliam’s Brazil—beneath the dust and mechanical grays, color and light are shining through. 
<a href=”http://deathbombarc.bandcamp.com/album/gay-wish” _mce_href=”http://deathbombarc.bandcamp.com/album/gay-wish”>Gay Wish by Back To The Future The Ride</a>

Very sweet review of my “real” last album. In case you missed the late night post last night, here is a link to my “fake” last album: http://deathbombarc.com/DBA114

melodicexpectation:

Back To The Future The Ride - Gay Wish

This is the last “major” release from Back To The Future The Ride, besides a b-sides compilation—Brian Miller, the guy behind BTTFTR, is starting a new project called True Neutral, so all is not lost—and he’s got the audacity to release something so short and so spectacular. It’s less than twenty minutes long and, for my money, the best bit of warm ambient noise released this year. Back again is the massive guitar noise, with some new added elements like vocals (both sampled snippets and auto-tuned dada-poems). It also includes a scarce cover of classic surf song Blue Hawaii. The elements of the original song are, at best, barely there and, at worst, entirely nonexistent. But the escapism is palpable—think Terry Gilliam’s Brazil—beneath the dust and mechanical grays, color and light are shining through. 

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